FUJIFILM X-T50 / Sony ZV-E10 II

The same sensor is used in the X-T5 and X-H2; the high resolution leaves room to crop but makes files larger.

Effective resolution for movies is about 19.9 MP; the APS-C sensor brings roughly a 1.5× crop factor versus full frame.

The image processor that runs the autofocus algorithms, film simulations and video encoding.

Directly compatible with X-series XF and XC lenses; GF lenses do not fit this body.

This is the pixel size of the largest photo at the sensor’s full resolution.

HEIF stores more colour gradations than JPEG; RAW gives the most flexibility when editing.

Extended ISO values may reduce dynamic range or add noise; the maker counts them outside the standard range.

Sensor shift reduces shake even with unstabilised lenses; digital stabilisation crops the image slightly.

There is no in-body stabilisation. Active mode reduces shake by cropping the image.

The electronic shutter is silent and allows very short exposures, but fast-moving subjects can appear skewed.

In the 20 fps mode speed drops after 168 JPEGs or 66 compressed RAW frames; buffer depth depends on file type.

Subject detection finds the chosen subject type in the frame and tries to keep focus on it.

Phase detection quickly works out which way to shift focus; eye and subject tracking can be used for video.

Film simulations change the colour and tone of JPEG and HEIF files; a RAW file can be processed later with a different simulation.

With a single slot, recordings cannot be backed up to two cards at once.

Magnification describes how large the viewfinder image appears; the X-T5’s viewfinder has a higher resolution.

The screen tilts up and down; it does not flip to the side and face forward, so you cannot see framing when filming yourself.

Fujifilm lists about 45 minutes of continuous recording in 6.2K and 4K with face detection off; this may vary with temperature.

USB 3.2 Gen 2x1 transfers up to 10 Gbit/s; it is used for file transfer and tethered shooting.

Micro HDMI is a small, fragile connector; securing the cable is advisable when connecting an external recorder.

There is no separate headphone jack on the body; video audio is monitored through the adapter.

With the Multi Interface Shoe, compatible Sony microphones send audio digitally to the camera without a cable.

The built-in flash can trigger external flashes in commander mode.

The frame count was measured by Fujifilm with the XF35mmF1.4 R; it is clearly lower than with the X-T5’s larger NP-W235 battery.

USB Power Delivery charging and powering over USB while recording are supported.

Depth is measured including the grip; the lens is not included.

The weight does not include a lens.

Bluetooth keeps the phone paired and passes location data, while Wi-Fi handles photo transfer.

No separate charger is listed; the battery charges in the camera over USB.

Fujifilm does not list weather resistance for the body.

Sony says 4K is oversampled from 5.6K. 10-bit 4:2:2 reduces banding when grading; high bit rates such as S-I may need a fast (V90-class) card.

S-Log3 records wide dynamic range as a flat image that needs grading; S-Cinetone gives a cinematic look without grading.

With no mechanical shutter, flash sync is limited to 1/30 s and fast-moving subjects can distort.

Over USB-C the camera can also be used as a webcam or live-streaming source.