OM SYSTEM OM-3 / FUJIFILM X-T50

Dates from the manufacturer’s North America press release.

The same sensor is used in the X-T5 and X-H2; the high resolution leaves room to crop but makes files larger.

The image processor that runs the autofocus algorithms, film simulations and video encoding.

CIPA 2024. Body figure with 12–45 mm f/4 PRO at 45 mm; Sync IS figure with 12–100 mm f/4 IS PRO at 100 mm, half-press IS off. Not a guarantee for every shot.

Subject detection finds the chosen subject type in the frame and tries to keep focus on it.

Magnification with a 50 mm lens at infinity, −1 dioptre; depends on the selected viewfinder style.

Magnification describes how large the viewfinder image appears; the X-T5’s viewfinder has a higher resolution.

The electronic shutter is silent and allows very short exposures, but fast-moving subjects can appear skewed.

Slow shutter speeds and flash cannot be used. The compatible-lens list for 50 fps is limited.

Not available while connected to a smartphone over Wi-Fi.

With H.265 selected, only OM-Log400 and HLG are available.

Available rates depend on codec and frame rate.

Manufacturer’s own test condition.

In RAW output the camera does not record to the card.

There is no separate headphone jack on the body; video audio is monitored through the adapter.

4K/C4K, ALL-Intra and 100 fps or faster recording require a UHS speed class 3 card or better.

Wired remote control is not supported.

The frame count was measured by Fujifilm with the XF35mmF1.4 R; it is clearly lower than with the X-T5’s larger NP-W235 battery.

Approximate values measured with a KIOXIA 64 GB UHS-II card.

Powering needs a USB PD source rated at 27 W or more (9 V 3 A, 15 V 2 A or 15 V 3 A).

Depth is measured including the grip; the lens is not included.

The weight does not include a lens.

IP53 needs a compatible splash- and dust-proof lens; not applicable while charging or with HDMI connected.

Directly compatible with X-series XF and XC lenses; GF lenses do not fit this body.

This is the pixel size of the largest photo at the sensor’s full resolution.

HEIF stores more colour gradations than JPEG; RAW gives the most flexibility when editing.

Extended ISO values may reduce dynamic range or add noise; the maker counts them outside the standard range.

Sensor shift reduces shake even with unstabilised lenses; digital stabilisation crops the image slightly.

In the 20 fps mode speed drops after 168 JPEGs or 66 compressed RAW frames; buffer depth depends on file type.

Film simulations change the colour and tone of JPEG and HEIF files; a RAW file can be processed later with a different simulation.

With a single slot, recordings cannot be backed up to two cards at once.

The screen tilts up and down; it does not flip to the side and face forward, so you cannot see framing when filming yourself.

Fujifilm lists about 45 minutes of continuous recording in 6.2K and 4K with face detection off; this may vary with temperature.

USB 3.2 Gen 2x1 transfers up to 10 Gbit/s; it is used for file transfer and tethered shooting.

Micro HDMI is a small, fragile connector; securing the cable is advisable when connecting an external recorder.

The built-in flash can trigger external flashes in commander mode.

Bluetooth keeps the phone paired and passes location data, while Wi-Fi handles photo transfer.

No separate charger is listed; the battery charges in the camera over USB.

Fujifilm does not list weather resistance for the body.